Studio Osep: chronicler of Turkey’s pop culture

Studio Osep Book CoverThe life and work of one of Turkey’s most foremost photographers, Osep Minasoglu (Hovsep Minasyan) has become the subject of a major Turkish-English bilingual book published by Aras Publishing House in 2009. As a studio portraitist and stills photographer, Hovsep Minasyan’s work has a special place in the annals of Middle Eastern photography. Much like Van Leo in Cairo, Minasyan was able to articulate in visual terms the rapidly developing image of Turkish (or Istanbul) post-war popular culture. While the other great Turkish-Armenian photographer, Ara Guller focused on a Turkey that was quickly sinking into the past, Minasyan’s joyful and flamboyant imagery embraces the shifting context of Istanbul’s youth culture, music, cinema and increasingly westernised attitude to life.

Following is the press release from author Tayfun Serttaş’s website.

Advertising Still for a Turkish FilmStüdyo Osep brings into sharp relief Osep Minasoğlu’s 80 years long life and history of photography, one of the oldest living studio and set photographers of Turkey. As a product of almost ten years of research, undertaken by Tayfun Serttaş at Osep Minasoğlu’s archives, the book can also be read as the photographic encyclopaedia of Turkish republican history, with more than four hundred photographs it brings into light.

This work that reproduces Osep Minasoğlu’s 80 years of life memory and 60 years of work memory, is composed of three sections; Biography, Retrospective and Witness. A total of 406 visuals have been used in the book; 253 in the Biography section, and 153 in the Retrospective section. Apart from instances where a source is cited, all visuals are from the Osep Minasoğlu archive. All statements by Osep Minasoğlu in the biographical texts are quoted from the oral history work and transcripts from interviews carried out by the author of the book.

Publishing House : Aras Yayınclık
Book Languages : Turkish – English
ISBN : 978-605-5753-08-5
Edition Date : 344 pages, 1st edition, October 2009

The book is available for purchase from http://www.arasyayincilik.com/

Rocking Tehran: Karen Mirzoyan’s exhibition opens in New York

karen-mirzoyan-bands-in-tehranNovember 29, 2011 – January 22, 2012

Artist’s reception: Tuesday, November 29, 2011, 7:30 p.m.

On November 29th an exhibition of Karen Mirzoyan’s photographs of basement rock bands in Tehran, Iran, will open at The Half King in New York city. Shot over the week commencing the 31st anniversary of the Iranian Revolution, Rock the Casbah – Basement Bands in Tehran, looks at young men and women trying to play music as loudly and secretly as possible.

Karen explained his motives for creating the series by stating that he “went to Tehran to look at the anniversary of the Revolution. When I found rock musicians practicing in soundproof basements, I found people who are waiting for a second Revolution.”

Karen and Sacha Lecca, senior photo editor at Rolling Stone magazine, will moderate a slideshow and discussion of Karen’s work on opening night.

“Karen’s images—of newspeak broadcasts, daily life, and the surreal, illegal undertaking that playing rock music in a theocracy entails—are a kaleidoscopic sampling of Tehran’s public and private realms as the Revolution is observed,” says curator Anna Van Lenten.

With seven million people, Tehran is Iran’s largest and culturally most sophisticated city. Iran’s Ministry of Islamic Guidance forbids rock music for its western (satanic) bent—a direct threat to cultural purity.

The Half King Photography Series is dedicated to showing exceptional photojournalism. In tandem with its reading series, The Half King fosters a dialog between photographers and writers that underscores the importance of their unique relationship. Co-curating its photography series are James Price, photo editor at Newsweek, and Anna Van Lenten, writer and editor.

Karen Mirzoyan (b. 1981) grew up in Tbilisi, Georgia and now lives in Armenia. In 2005, he worked at Panos Pictures and at The Independent in London. Primarily, his work is concerned with the culture and post-conflict societies of countries in the Caucuses. In 2010, he won Magnum Foundation’s Caucuses Award and a scholarship to the NYU/Magnum Human Rights Program.

Industrial Symphony

‘Industrial Symphony: Photography and industry in a post-utopian age’ is a project jointly conceived by Hayas Cultural Organisation and ReArk Architectural Environmental Centre.